When the COVID-19 pandemic broke out in early 2020, I was forced to stay at home for a long time, suffocated by the compression of space and the concrete sense of time. While everyone began to maintain social distance, I wanted to escape home, break the distance, and get in touch with people in reality. I started to explore the mostly unknown private spaces of strangers. A tacit understanding between my subjects and me was, ‘When I give you a sense of security you need to keep me safe’. The project mainly discusses “body &identity” and “private information & private space”.

发布时间： 2023-08-07 21:27

At the end of April, I flew to Chengdu to interview my good friend Li Aixiao. She shared her understanding of art creation and her views on performance art as a young artist. I would like to share this with everyone, hoping that it will be inspiring. 小袁家：四月底特地飞赴成都，采访了我的好朋友李艾筱，作为一名年轻的创作者，一位艺术家，谈谈她对艺术创作的理解和行为艺术的看法。分享给大家，希望听了会有所启发。

发布时间： 2023-05-29 21:23

There is no tradition of the nude in Chinese art. Confucian values did not include the human body. In the west, traditions pull in two directions: the idealised nudes of ancient Greece were the embodiment of civic pride, while in the Judeo-Christian tradition the naked body was associated with the sinfulness of sexual immorality. In contrast, the principal focus of Confucian ethics concerns the proper forms of human conduct and relationship. There is little emphasis on physicality or how one looks, but much on how one behaves. Upon humaneness, restraint, loyalty, and filial piety in the pursuit of social harmony. Compared to these high ideals, imagery of the naked body was simply considered vulgar.

发布时间： 2023-04-29 21:14

As humans, our first encounter is with ourselves. Regardless of the happy or sad events we experience in our social existence, they get accumulated, transformed, and internalized in our personal life emotions. These emotions then manifest themselves in the external signs of our physical life. Li Aixiao's "If Sisyphus Was in 2022" (2022) presented at the 10th UP-ON International Live Art Festival is an excellent example of this phenomenon.在人的生命存在中，人首先面临的是其与自我的关系。无论他的社会性存在经历什么样的喜乐或伤悲的事件，都会积淀、转换、内化在他个人的生命情感里，表现在他的肉体生命的外在体征上。第十届UP-ON向上国际现场艺术节中，李艾筱的《假如西西弗斯在2022》（2022），就是其恰当的例证。

发布时间： 2022-11-22 21:10

以“私人物品”提问为引，所链接、设定的个人仪态，成为构建与共享、问题和源力协同浮出的契机。 在坦露无防，面容与直观身份隐匿，余留形式复演而意志鲜明差异的肉身中，诸许赤身形体呈现仪式化的自然停驻、故事永恒与生命沉静。消解肉身欲念和所谓智识析辩，展现视觉纯化、自我无遗的“常在”与内容“丰富”。去女性化视角的中性“凝视”

发布时间： 2022-04-22 21:00

私人物品系列，2013—2019年前言：最早听说李艾筱是2017年的事，当时她在平遥参加了“自然生长摄影计划”的展览，但没有当面联系到。后来在各个摄影节、书展、朋友圈偶有交汇，有学生去书展听了她的讲座，回来后说很受感染，由此种种让我对这次交谈充满向往。从《私人物品》到《私人物品x维也纳》再到新的身体项目，李艾筱的作品始终关怀着“人类”本身。她探讨、剖析、呈现

发布时间： 2022-03-31 17:00

信息洪流与泛资讯时代中，李艾筱《给城堡找城堡》以拟喻的手法，形象化的传达了个体在信息和舆论中的娱乐、治愈，消磨、受困与茫然，意志沉溺和智识的溶解，不断找寻的西西弗斯似的无解、无满。提示了当代社会的双向逡巡，自识的亟需，和虚拟现实本为现实所造的未变的逻辑底牌，及一种可能的反噬。

发布时间： 2022-02-08 19:59

我的创作将围绕冶山的“四区六点”并结合驻地实际与当下所思所想来完成。我将在中山社区几处地方躺平，去放空自己感受深处闹市中的冶山，与过去两千年的时光对话。同时我想在冶山中找到一曲到九曲以及其他有特色的石头，并像给人拍照一样，为它们留下一幅正式的肖像照，因为随着时间的流逝它们会一天天地风化，所以要记住它们现在存在的样子。

发布时间： 2021-09-26 16:53

本期声音投稿人：李艾筱（LI Aixiao）自由摄影师，生活和工作在中国成都。她提到的摄影项目叫做《私人物品》。 让我们先来看几张这个项目中的摄影作品吧——                  (想结婚时的她，2013年)                     (怀孕时的她，2018年)               (李艾筱与她的100张照片，2019年) 

发布时间： 2020-08-20 21:39